Remixing involves the deconstruction and manipulation of original works (whether that be in digitalised or print form) to produce a different and new blend of artistic expression (Knobel & Lankshear, 2008). The creation of remixes is made simpler and more practicable through the introduction and development of digital softwares such as GarageBand since this act initially required vinyl record turntables and a mixer or access to a music studio (Knobel & Lankshear, 2008).
A selection of online and offline user-friendly resources facilitates the crafting of a remix masterpiece regardless of one’s level of skills and experience (Knobel & Lankshear, 2008). For instance, the Groovemaker application has an easy-to-navigate interface, and provides an array of music clips and beats for instant composing. Thus, being a beginner in remixing; integrating the multiple tracks into a final composition was only taps away as I was quickly accustomed to the process. If novices dedicate the time and effort by practising, even they could build their technical skills and expertise (Knobel & Lankshear, 2008). Further, “Technical know-how can be gained via tutorials built into the software itself, and beginners have access to a range of online and book-based guides to help with master-ing a wide range of tools and functions” (Knobel & Lankshear, 2008, pp 27).
My post-experience remark is that I now believe perfecting a masterpiece takes a high degree of musicality, patience and effort since remixing isn’t merely combining elements from another’s work, it is more a subtle work of art.
Reference List:
Knobel, M & Lankshear, C. (2008). Remix: The Art and Craft of Endless Hybridization. Journal of Adolescent & Adult Literacy, 52(1), 22- 33.
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